山口明香 Asuka YAMAGUCHI
installation (expired objects, photographs, text)
commissioned by Lower Manhattan Cultural Council
New York City, 2006
Maybe the date has long past. But somehow an object lingers. Something stays on the shelf, in the pocket of that old jacket, between the layers of dust and under the pillow. How many things do we hold on to long after they have expired? What happens after the expiration date has passed?
BEST BEFORE is an evolving project about the relationship between individual and object. Plastic bags have been placed on the doorsteps of homes throughout the New York City area, and individuals have contributed their 'expired' items, documented here as excerpts of small pasts in material form.
While these objects are recorded with the stories they contain, once they expire, their context, use and relationship to the owner can somehow be rendered blank again. It is from this point that we can begin to reflect again upon the very objecthood of a thing--what it is and what it isn't, its potential and its failures. This becomes a means to beg the question, to search the ambiguous boundaries between personal and public, reality and fantasy and/or object and space. We investigate ideas of how each moment of the everyday can be constructed and captured as chance possibility as much as documented reality. It is a way of finding context within the city, playing with our constructions of daily life and reinventing them as both proposals and chance encounters with the everyday.
The collection was exhibited in October 2006 as an installation and photographic archive in lower Manhattan and is now fully documented on the BEST BEFORE website as an online record.
BEST BEFORE is an evolving project about the relationship between individual and object. Plastic bags have been placed on the doorsteps of homes throughout the New York City area, and individuals have contributed their 'expired' items, documented here as excerpts of small pasts in material form.
While these objects are recorded with the stories they contain, once they expire, their context, use and relationship to the owner can somehow be rendered blank again. It is from this point that we can begin to reflect again upon the very objecthood of a thing--what it is and what it isn't, its potential and its failures. This becomes a means to beg the question, to search the ambiguous boundaries between personal and public, reality and fantasy and/or object and space. We investigate ideas of how each moment of the everyday can be constructed and captured as chance possibility as much as documented reality. It is a way of finding context within the city, playing with our constructions of daily life and reinventing them as both proposals and chance encounters with the everyday.
The collection was exhibited in October 2006 as an installation and photographic archive in lower Manhattan and is now fully documented on the BEST BEFORE website as an online record.
