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NAME |
LAST MODIFIED |
SIZE |
DESCRIPTION
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母錄 parent directory |
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什麼是一種「記錄姿態的行為」? documentary gestures |
24-Sep-2022 |
21# |
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「商業的結構」是什麼? the architectures of commerce |
30-Dec-2024 |
14# |
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什麼是一個「開放平台」? what is an open platform? |
03-Sep-2017 |
15# |
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詞語 words |
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 iwishicoulddescribeittoyoubetter
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30-Dec-2024 |
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image /
| image 10: |
at left, KOMUTA in B102 crushed wool utility short; at right, HAYASHI wears B107 pleated culotte and SHIMONISHI wears T107 two-layer mock turtleneck |
| image 11: |
at left, SHIMONISHI in 0112 Northeastern floral print Chinese army coat; at right, ASANO in J101 502 jeans |
| image 12: |
at left, fashion students wear S102 gay man's shoes (silver) and B101 skinny trousers; at right, SUGIMOTO in F106 frock dress |
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 PARASITE, (or polygamy) |
Jul-2018 |
ed of 8 |
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『目錄 CATALOGUE』number two
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Sep-2017 |
ed of 500 |
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穿 Wear journal number three
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Sep-2012 |
ed of 800 |
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rePLACE |
Aug-2011 |
ed of 300 |
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穿 Wear journal number two
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May-2010 |
ed of 500 |
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穿 Wear journal number one
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Dec-2008 |
ed of 1000 |
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iwishicoulddescribeittoyoubetter number two
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Jun-2006 |
ed of 100 |
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Wear [iwishicoulddescribeittoyoubetter number one]
clothing catalogue
25 cm x 18 cm, saddle-stitched
62 pages, edition of 300
supported by the International Research Center for the Arts Kyoto
藝術家衣櫥里的所有東西都出現在郵購雜誌上，重新回到市場交易中去。植入廣告、造型設計以及時尚語言通過生產過程和設計細節的匿名性，變成了長久的歷史、記憶和穿著痕跡。
賣出或者贈送給顧客的服飾單品都保有著它們剛入手時的本來面目，同時要求這些參與者拍攝穿戴著他們新獲得的衣物的照片。
All items from one person's wardrobe are reinserted into market circulation by means of a mail-order magazine. Product placement, styling and the language of fashion turn history, memory and wear back towards the anonymity of manufacturing processes and design detail.
Items were sold and/or given away to customers at the same cost they were originally acquired, and participants were asked to photograph themselves with their new purchase. Available for purchase via Display Distribute. |
26-May-2006 |
ed of 300 |
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seks |
Apr-2003 |
ed of 300 |
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"Leave Your Notebooks, But You Can't Leave the Factory"
Radio Kosaten journal #01
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Fall-2017 |
2hr47m conversation |
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"Post on the Post-Salon"
上午艺术空间 am Art Space, reprinted Jul-2018 in issue 331 of 《艺术世界 Art World》
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30-Jun-2017 |
1344words |
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"Buku Jalanan's Politics of the Street: Zikri RAHMAN in conversation with Elaine W. Ho"
"Questions out of the Demonstration Area: LEE Chun Fung in conversation with Elaine W. Ho"
"Adding Letters to our TransActions: YEOH Lianheng in conversation with Elaine W. Ho"
Art in Context / Learning from the Field: Conversations with and between art and cultural practitioners
edited by Herman Bashiron MENDOLICCHIO and Susanne BOSCH
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2017 |
12228words |
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"Two Footnotes on Language and Power"
Ausreißer: Die Grazer Wandzeitung, #70
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Jul-2016 |
966words |
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"什么是'好机构'？ What is a 'good institution'?"
《箭厂空间四年书》Arrow Factory: The Next Four Years
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Dec-2015 |
2219words |
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"如果记忆和巧合的事实本身并不重要，那么，什么才是重要的?
If it is not the fact of the memory nor coincidence that matter per se, then what is it?"
Per Se, artist edition by Nina SCHUIKI
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22-Oct-2015 |
1249words |
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"Communities, Narration and (In)dependence"
Politics and Aesthetics of Creativity: City, Culture
and Space in East Asia
edited by Pan LV, Dixon WONG Heung-Wah, Karin CHAU
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Oct-2015 |
10213words |
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"心瓣运动请继续：谈一场集体的恋爱 On the Ongoing Labours of Love: HomeShop Opens and Closes, Opens and Closes"
《艺术世界》Art World
co-written with 张小船 Boat ZHANG
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Apr-2015 |
2588words |
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"Between 缘分 Yuanfen, Real Estate, and Serendipity"
家作坊 HomeShop interviewed by Binna CHOI & Maiko TANAKA
Grand Domestic Revolution Handbook
edited by Binna CHOI & Maiko TANAKA
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Sep-2014 |
4955words |
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"Who Goes, Where Are? [part 4]: Documentation as gesture in alternative art practices of contemporary China"
co-written with Edward SANDERSON
ArtReview:Asia
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A/W-2014 |
2266words |
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"The Losers of Chinese Contemporary Art"
San Francisco Art Quarterly
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Aug-2014 |
1572words |
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"組織｜大眾 Organisation-At-Large"
《假如（在一起）Can We Live (Together)》catalogue text
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03-Sep-2017 |
2017words |
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"Hong Kong Currents"
co-written with Fotini LAZARIDOU-HATZIGOGA
Wanda
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25-Apr-2014 |
2149words |
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"Neighbourhood"
Cluster Dialectionary: Terminology of the Future
edited by Binna CHOI, Maria LIND, Emily PETHICK & Nataša PETREŠIN-BACHELEZ
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Jul-2014 |
948words |
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"附录的附录"
"Attachments to the Appendix"
《附录》Appendix
edited by Michael EDDY & Fotini LAZARIDOU-HATZIGOGA
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22-Dec-2013 |
1526words |
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"回顧聲音圖書館"
Editorial: The Library by soundpocket
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18-Dec-2013 |
1465words |
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"致X作者的一則公報"
"Accomunique to Author X"
《逆棲：都市邊緣中的對話與重建》
Reverse Niche: Dialogue and Rebuilding at the City's Edge, edited by 柯念璞 Alice KO
画册 catalogue, Hong-Gah Museum, Taipei TW
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Sep-2013 |
2480words |
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"Keeping it Real: Art, Activism and the 'East Asia Multitude'"
Institution for the Future
edited by Biljana CIRIC & Sally LAI
Chinese Art Centre, Manchester UK
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Sep-2012 |
3529words |
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"好久不见！我们快走！"
Croquis issue 4: 未知物世界 For The Unknowns
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Mar-2012 |
4kb |
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"致编辑的「黄边日报」信件"
"The YellowSide Daily Letters to the Editor"
co-written with HomeShop
「一个（非）美术馆：回想、再现、共鸣」
A Museum That is Not: Reflection, Representation, Resonance
画册 catalogue, Guangdong Times Museum, Guangdong CN
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Feb-2012 |
5633words |
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"The Klashinkof and the Longbeard"
proposal for 《艺术世界》Art World magazine
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08-Sep-2011 |
172kb |
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"17 Days in Beijing: Screen of Consciousness on the Micropolitical"
co-written with Sean SMITH
Public, No. 40
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Jun-2010 |
3863words |
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“大爷，老张，高哥与大胡子在大市内的小村庄"
"Grandpa, Old Zhang, Brother Gao and Big Beard in the
small village in the city"
《城市画报》 City Pictorial, No. 22
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28-Nov-2009 |
1.8mb |
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"Unlayering the Relational: Microaesthetics and Micropolitics"
co-presented with Sean SMITH
MediaModes conference, School of Visual Arts, New York
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14-Nov-2009 |
152mb |
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"Emancipating 'Fashion': Notes on Dress and Politics"
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11-Jul-2009 |
41kb |
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“家作坊系列一号：08奥运会结束了"
"HomeShop Series number one: GAMES 2008 off the Map"
《城市中国》 Urban China, Issue 33
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Dec-2008 |
4.5mb |
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"Before and During and After"
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17-Jun-2008 |
41kb |
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"Toward a Theory of the Designwork"
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19-Feb-2007 |
66kb |
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"Cast a Thought"
TimeOut Beijing, Issue 10
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Jul-2005 |
911words |
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"On the Practice of Everyday Life"
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28-Feb-2005 |
33kb |
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別處 elsewhere |
30-Dec-2024 |
64# |
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in other words [about 關於⋯⋯] |
2022 |
05# |
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聯繫 contact |
- |
01# |
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nunvnu Server at maadix.org Port 2024 |
