index of /何穎雅 elaine w.ho



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母錄 parent directory  
 
什麼是一種「記錄姿態的行為」? documentary gestures 24-Sep-2022 21#  
「商業的結構」是什麼? the architectures of commerce 05-Oct-2024 14#  
什麼是一個「開放平台」? what is an open platform? 03-Sep-2017 15#  
詞語 words      
  iwishicoulddescribeittoyoubetter
05-Oct-2024 -

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image 10: at left, KOMUTA in B102 crushed wool utility short; at right, HAYASHI wears B107 pleated culotte and SHIMONISHI wears T107 two-layer mock turtleneck
image 11: at left, SHIMONISHI in 0112 Northeastern floral print Chinese army coat; at right, ASANO in J101 502 jeans
image 12: at left, fashion students wear S102 gay man's shoes (silver) and B101 skinny trousers; at right, SUGIMOTO in F106 frock dress

  PARASITE, (or polygamy) Jul-2018 ed of 8
  目錄 CATALOGUE』number two
Sep-2017 ed of 500
  穿 Wear journal number three Sep-2012 ed of 800
  rePLACE Aug-2011 ed of 300
  穿 Wear journal number two
May-2010 ed of 500
  穿 Wear journal number one
Dec-2008 ed of 1000
  iwishicoulddescribeittoyoubetter number two
Jun-2006 ed of 100
  Wear [iwishicoulddescribeittoyoubetter number one]
clothing catalogue
25 cm x 18 cm, saddle-stitched
62 pages, edition of 300
supported by the International Research Center for the Arts Kyoto

藝術家衣櫥里的所有東西都出現在郵購雜誌上,重新回到市場交易中去。植入廣告、造型設計以及時尚語言通過生產過程和設計細節的匿名性,變成了長久的歷史、記憶和穿著痕跡。

賣出或者贈送給顧客的服飾單品都保有著它們剛入手時的本來面目,同時要求這些參與者拍攝穿戴著他們新獲得的衣物的照片。

All items from one person's wardrobe are reinserted into market circulation by means of a mail-order magazine. Product placement, styling and the language of fashion turn history, memory and wear back towards the anonymity of manufacturing processes and design detail.

Items were sold and/or given away to customers at the same cost they were originally acquired, and participants were asked to photograph themselves with their new purchase. Available for purchase via Display Distribute.
26-May-2006 ed of 300
  seks Apr-2003 ed of 300
       
  "Leave Your Notebooks, But You Can't Leave the Factory"
Radio Kosaten journal #01

Fall-2017 2hr47m conversation
  "Post on the Post-Salon"
上午艺术空间 am Art Space, reprinted Jul-2018 in issue 331 of 《艺术世界 Art World

30-Jun-2017 1344words
  "Buku Jalanan's Politics of the Street: Zikri RAHMAN in conversation with Elaine W. Ho"
"Questions out of the Demonstration Area: LEE Chun Fung in conversation with Elaine W. Ho"
"Adding Letters to our TransActions: YEOH Lianheng in conversation with Elaine W. Ho"
Art in Context / Learning from the Field: Conversations with and between art and cultural practitioners
edited by Herman Bashiron MENDOLICCHIO and Susanne BOSCH

2017 12228words
  "Two Footnotes on Language and Power"
Ausreißer: Die Grazer Wandzeitung, #70

Jul-2016 966words
  "什么是'好机构'? What is a 'good institution'?"
《箭厂空间四年书》Arrow Factory: The Next Four Years

Dec-2015 2219words
  "如果记忆和巧合的事实本身并不重要,那么,什么才是重要的?
If it is not the fact of the memory nor coincidence that matter per se, then what is it?
"
Per Se, artist edition by Nina SCHUIKI

22-Oct-2015 1249words
  "Communities, Narration and (In)dependence"
Politics and Aesthetics of Creativity: City, Culture
and Space in East Asia

edited by Pan LV, Dixon WONG Heung-Wah, Karin CHAU

Oct-2015 10213words
  "心瓣运动请继续:谈一场集体的恋爱 On the Ongoing Labours of Love: HomeShop Opens and Closes, Opens and Closes"
《艺术世界》Art World
co-written with 张小船 Boat ZHANG

Apr-2015 2588words
  "Between 缘分 Yuanfen, Real Estate, and Serendipity"
家作坊 HomeShop interviewed by Binna CHOI & Maiko TANAKA
Grand Domestic Revolution Handbook
edited by Binna CHOI & Maiko TANAKA

Sep-2014 4955words
  "Who Goes, Where Are? [part 4]: Documentation as gesture in alternative art practices of contemporary China"
co-written with Edward SANDERSON
ArtReview:Asia

A/W-2014 2266words
  "The Losers of Chinese Contemporary Art"
San Francisco Art Quarterly

Aug-2014 1572words
  "組織|大眾 Organisation-At-Large"
《假如(在一起)Can We Live (Together)》catalogue text

03-Sep-2017 2017words
  "Hong Kong Currents"
co-written with Fotini LAZARIDOU-HATZIGOGA
Wanda

25-Apr-2014 2149words
  "Neighbourhood"
Cluster Dialectionary: Terminology of the Future
edited by Binna CHOI, Maria LIND, Emily PETHICK & Nataša PETREŠIN-BACHELEZ

Jul-2014 948words
  "附录的附录"
"Attachments to the Appendix"
《附录》Appendix
edited by Michael EDDY & Fotini LAZARIDOU-HATZIGOGA

22-Dec-2013 1526words
  "回顧聲音圖書館"
Editorial: The Library by soundpocket

18-Dec-2013 1465words
  "致X作者的一則公報"
"Accomunique to Author X"
《逆棲:都市邊緣中的對話與重建》
Reverse Niche: Dialogue and Rebuilding at the City's Edge
, edited by 柯念璞 Alice KO
画册 catalogue, Hong-Gah Museum, Taipei TW

Sep-2013 2480words
  "Keeping it Real: Art, Activism and the 'East Asia Multitude'"
Institution for the Future
edited by Biljana CIRIC & Sally LAI
Chinese Art Centre, Manchester UK

Sep-2012 3529words
  "好久不见!我们快走!"
Croquis issue 4: 未知物世界 For The Unknowns

Mar-2012 4kb
  "致编辑的「黄边日报」信件"
"The YellowSide Daily Letters to the Editor"
co-written with HomeShop
「一个(非)美术馆:回想、再现、共鸣」
A Museum That is Not: Reflection, Representation, Resonance
画册 catalogue, Guangdong Times Museum, Guangdong CN

Feb-2012 5633words
  "The Klashinkof and the Longbeard"
proposal for 《艺术世界》Art World magazine

08-Sep-2011 172kb
  "17 Days in Beijing: Screen of Consciousness on the Micropolitical"
co-written with Sean SMITH
Public, No. 40

Jun-2010 3863words
  “大爷,老张,高哥与大胡子在大市内的小村庄"
"Grandpa, Old Zhang, Brother Gao and Big Beard in the
small village in the city"
《城市画报》 City Pictorial, No. 22

28-Nov-2009 1.8mb
  "Unlayering the Relational: Microaesthetics and Micropolitics"
co-presented with Sean SMITH
MediaModes conference, School of Visual Arts, New York

14-Nov-2009 152mb
  "Emancipating 'Fashion': Notes on Dress and Politics"

11-Jul-2009 41kb
  “家作坊系列一号:08奥运会结束了"
"HomeShop Series number one: GAMES 2008 off the Map"
《城市中国》 Urban China, Issue 33

Dec-2008 4.5mb
  "Before and During and After"

17-Jun-2008 41kb
  "Toward a Theory of the Designwork"

19-Feb-2007 66kb
  "Cast a Thought"
TimeOut Beijing, Issue 10

Jul-2005 911words
  "On the Practice of Everyday Life"
28-Feb-2005 33kb
       
別處 elsewhere 05-Oct-2024 64#
       
in other words [about 關於⋯⋯] 2022 05#
聯繫 contact - 01#
 
   


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