index of /何穎雅 elaine w.ho



NAME LAST MODIFIED SIZE
DESCRIPTION


母錄 parent directory  
 
什麼是一種「記錄姿態的行為」? documentary gestures  
  Resident, or Resident Evil, or This Minor
    Contextualisation of a Particular Temporality Known as
    Publishing on the Run
24-Sep-2022 435kb
  谁人往,向何处? Who Goes, Where Are? 27-May-2017 448kb  
  后集体(讲了很多遍关于要开始讲故事的故事后)
    Post-Personal (after having told the story of beginning
    to tell stories many times)
18-Mar-2016 680kb  
  arguing endlessly about something inherently agreed upon 19-Jan-2016 38.8mb  
  What can a phrase such as ‘natural course’ mean
    anymore in a time of such intense production? (Berlin)
30-Oct-2014 35.4mb  
  能做好好的,为什么不站?
    What can a phrase such as ‘natural course’ mean
    anymore in a time of such intense production? (Guangzhou)
17-Jan-2014 874kb  
  明日大致多雲 Precipitations 26-Jun-2013 434kb  
  What can a phrase such as ‘natural course’ mean
    anymore in a time of such intense production? (Beirut)
01-Mar-2011 37mb  
  题为"如何孤单" The Title of the Show is "How To Be Alone"
6-channel desktop sound piece and wall text
part of "The Third Party: Act One, How to be Alone"
curated by Beatrice LEANZA
站台中国 Platform China, Beijing

对于一个主要基于声音的作品来说,"睁开你操蛋的双眼"也许是一个反官觉的说法,因为我仍然认为我们应该知道如何超越感官的区别去认知事物。这 些录音是28年来我在不同程度上对于声音的有意识的记录、处理,和一种描述尝试。请您按照您的意愿,选择一次只听一个录音,或同时播放几个不同的录音。

It would seem counter-intuitive to say "open your fucking eyes" for a work composed primarily of sound, and yet I suppose we should know better than to make such sensible distinctions. These recordings have been made over the course of 28 years in varying degrees of conscientious documentation, manipulation and attempt to describe. Please listen one at a time or with several sounds layered together as per your liking.
11-Nov-2010 66.2mb



1 /

《但愿我能为您描绘得更好》第二期里献给友子的歌: "菜单/那么今夜何处是京都/猫咪马琳"(演唱者:"声音向导"乐队,声音介入部分:何颖雅、何京蕴)
From the publication iwishicoulddescribeittoyoubetter number two, for Tomoko: "Menu/So Where Is Kyoto Tonight?/Mullin The Mog" by DirectorSound with inserts by Elaine W. HO and Anouchka van DRIEL



2 /

"解手与生产",尝试为高灵口头翻译Paul CHAN的文本
"Pee and Production", trying to orally translate a text by Paul CHAN to GAO Ling

3 /

爸爸骑着摩托, 儿子坐在后座上打着快板, 我们一起在儿童电影夜场喝了点酒,家作坊2010
The boy comes home with his father playing kuaiban, we had been drinking at the kids' movie night, HomeShop 2010



4 /

"你好呀,劳伦斯老师!" 这段对我外婆的采访录音是1991年我中学历史课上的家庭作业——"口述历史",我妈妈也在"其间"。
"Hellll-o Mizz Lawrence!" An oral history project, my grandmother, mother and me, 1991.



5 /

五岁的我,在数数和唱歌
When I was 5 years old, counting and singing



6 /

我在购买的迷你SD卡上找到了70多首歌,从中选了十首歌并通过数码处理,把它们的节拍统一成每分钟120拍(特殊感谢Ryan KING在数码处理)
Music found on the micro-SD cards purchased to create this work, whereby among 70 songs in total ten were chosen and digitally synced at 120 beats per minute (processing courtesy of Ryan KING)

  公众 Public 01-Feb-2009 1mb
  北京欢迎你 Beijing Welcomes You 06-Aug-2008 73.7mb
  理变奏曲 Variations on Lǐ 01-Jul-2008 21.1mb
  We are all getting ready, or, I beg of you please 08-Nov-2007 44.4mb
  Best Before __ /__ / __ 29-Oct-2006 463kb
  Wherever we go, we walk in circles everyday. 17-Jun-2006 75.2mb
  Lesson: Kyoto, 7 February 2006 07-Feb-2006 8.5kb
  One-thousand-and-two, south or southwesterly... Jun-2004 58.5mb
  Jabbeke Apr-2004 12.6kb
  For Ann, Building a House Jan-2004 28.1mb
  Correction Coefficients Jan-2004 24.9mb
  EverythingIEverSentandEverythingEverSentToMe
21-Dec-2024 635kb
       
「商業的結構」是什麼? the architectures of commerce 21-Dec-2024 14#
什麼是一個「開放平台」? what is an open platform? 03-Sep-2017 15#
詞語 words Summer-2019 44#
別處 elsewhere 21-Dec-2024 69#
       
in other words [about 關於⋯⋯] 2022 05#
contact - 01#
 


























   


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