index of /何穎雅 elaine w.ho


母錄 parent directory  
什麼是一種「記錄姿態的行為」? documentary gestures  
  Resident, or Resident Evil, or This Minor Contextualisation
    of a Particular Temporality Known as Publishing on the Run
24-Sep-2022 435kb
  谁人往,向何处? Who Goes, Where Are?
in collaboration with 李蔼德 Edward SANDERSON

[Part 1] Friday Night Salons | Tate Modern, London, UK; 28 March 2014
[Part 2] ArtReview Live | ArtReview, London, UK; 3 April 2014
[Part 3] unrealised proposal | Fungiculture journal; 2014
[Part 4] “Who Goes, Where Are? [part 4]: Documentation as gesture in alternative art practices of contemporary China” | ArtReview Asia; Autumn-Winter 2014
[Part 5] “Measures of Distance (to HomeShop): A Conversation with Elaine W. Ho and Edward Sanderson” | Journal of Contemporary Chinese Art, Vol. 1, No. 23; 2014
[Part 6] unrealised proposal | The 2nd Biennial Performance Philosophy Conference, Chicago, USA; 2015
[Part 7] 未知之知:研究之于艺术实践 Between Knowing and Unknowning: Research in-and-through-Art, symposium organised by 蔡影茜 Nikita CHOI and 陆思培 Stephanie LU | 時代美術館 Guangdong Times Museum, Guangzhou, CN; 24-26 September 2015
[Part 8] unrealised proposal | 2nd Biennial PARSE Conference, Gothenburg, SE; 15-17 November 2017
[Part 9] “声音根据地 Grounds for Sound”, featuring contributions from 阿科 A-Ke and 李澤民 LEE Chak Man | part of 自我批评 Self-Criticism, 中間美術館 Inside-Out Art Museum; 27 May 2017

“谁人往,向何处?”是一个讲座和表演系列项目,将会在《自我批评》展览开幕式上的现场呈现。该项目由艺术家何颖雅与艺术评论家李蔼德共同发起,是一项艺术研究的实践,旨在探索身份政治的上限和研究的社会属性。这一实验性研究以发生在大中华地区不同形式的艺术活动为考察范围,以反抗性的个人和观念为前提,通过小规模的现场表演,探求变动不居的城市环境中艺术与微观政治之间的关联。“谁人往,向何处?”持续解构所谓的“学术意图”,因此成为一项实验,其形式本身便探讨了嵌入性的实践及其重组为再现形式的复杂性 。

Who Goes, Where Are? is a collaborative series of lecture-performances by artist Elaine W. HO and art critic Edward SANDERSON exploring the limits of identity politics and sociality as a practice of artistic research. With intangible artistic activity in greater China as a ground for this experiment, HO and SANDERSON map a series of personal and conceptual connections to trace the nexus of art and micropolitics as forms of resistance in the context of small-scale, event-based initiatives in an unstable, urban environment.

The series began as a straightforward paper presentation, developing with each presentation into a lecture-performance and dialogical experiment, reappropriating video and dialogue content in a consecutive abstraction from each of its previous instances. With its successive deconstruction of what could be considered an ‘academic intention’, Who Goes, Where Are? becomes an experiment whose very form addresses the complications of embedded practice reorganised as representation, a question plaguing the field of artistic research and its ongoing challenges of standardisation and recognition. The collaboration and its dialogical deteriorations highlight that which is occluded, omitted and excluded from representation and cultural translation, on the one hand echoing the limitations of access between practice and theory, but also addressing the identity politics which structure such conditions of access.
27-May-2017 448kb

image /

image 1: Who Goes, Where Are? [part 1]
image 2: Who Goes, Where Are? [part 2], photo courtesy of 嚴仲唐 Jason YEN
image 3: excerpt from journal article, Who Goes, Where Are? [part 5]
image 4: Who Goes, Where Are? [part 7], photo courtesy of XIE Yingting
image 5: Who Goes, Where Are? [part 7], photo courtesy of XIE Yingting
image 6: excerpt from conference proposal, Who Goes, Where Are? [part 8]
image 7: Who Goes, Where Are? [part 9], photo courtesy of Inside-Out Art Museum

    Post-Personal (after having told the story of
    beginning to tell stories many times)
18-Mar-2016 680kb
  arguing endlessly about something inherently
    agreed upon
19-Jan-2016 38.8mb
  What can a phrase such as ‘natural course’ mean
    anymore in a time of such intense production? (Berlin)
13-Oct-2014 35.4mb
    What can a phrase such as 'natural course' mean
    anymore in a time of such intense production?
17-Jan-2014 874kb
  明日大致多雲 Precipitations 26-Jun-2013 434kb
  What can a phrase such as ‘natural course’ mean
    anymore in a time of such intense production? (Beirut)
01-Mar-2011 37mb
    The Title of the Show is "How To Be Alone"
11-Nov-2010 66.2mb
  公众 Public 01-Feb-2009 1mb
  北京欢迎你 Beijing Welcomes You 06-Aug-2008 73.7mb
  理变奏曲 Variations on Lǐ 01-Jul-2008 21.1mb
  We are all getting ready, or, I beg of you please 08-Nov-2007 44.4mb
  Best Before __ /__ / __ 29-Oct-2006 463kb
  Wherever we go, we walk in circles everyday. 17-Jun-2006 75.2mb
  Lesson: Kyoto, 7 February 2006 07-Feb-2006 8.5kb
  One-thousand-and-two, south or southwesterly... Jun-2004 58.5mb
  Jabbeke Apr-2004 12.6kb
  For Ann, Building a House Jan-2004 28.1mb
  Correction Coefficients Jan-2004 24.9mb
04-Mar-2024 635kb
「商業的結構」是什麼? the architectures of commerce 04-Mar-2024 12#
什麼是一個「開放平台」? what is an open platform? 03-Sep-2017 15#
詞語 words Summer-2019 44#
別處 elsewhere 04-Mar-2024 69#
in other words [about 關於⋯⋯] 2022 05#
contact - 01# Server at Port 2024